3/10/2024 0 Comments Rick ross black market zip![]() I wanted the album to feel like you’re walking into a room and just completely open your mind to all the possibilities. “That was one of the first records I actually wrote over the summer I was incarcerated. Peek into Ross’ mind as he breaks down Black Market track-by-track for Billboard below.Ī Day in the Life With Rick Ross Handling Beefs, Biz and Bae The streets feel that, and they appreciate that, and that’s what I love the most.” ![]() “I took my time, and I put some big records together, some dope ass ideas, concepts. ![]() “I’m just excited the streets excited,” he says. But the project serves as a reminder: This a good energy to have around, still.Lil Pump Made His MAGA Commitment Permanent With This Donald Trump Tat And the reduced ambitions also mean that there are no calling-card songs here, no tarmac-sized beats or immediate chanted hooks. There are dull, rote spots on Black Dollar-"Money Dance" retreats into a soft-focus world of bowties, marble floors, and cocktail-jazz pianos that is about as exciting as eavesdropping on senior executives. This energy has always been the electrifying current enlivening even his silliest lyrics-on "Bill Gates", he reiterates his dearly held dream of a world with "Wing Stops on every corner." It is what allows him to somehow to diss "Freeway" Rick Ross-the very real gangster whose identity Ross co-opted-and 50 Cent in the same bar on "Geechi Liberace". "Money and the Powder" repurposes the chanted chorus from Scarface's classic "Money and the Power", and by the time Ross is done with it, the phrase has melted into simply "money and the POWWW!" On "Turn Ya Back", he spits every repetition of the word "back" like it's a mouthful of poison. There is a trace of Dusty Rhodes in how he savors pauses, pounces on ripe-sounding words, sometimes at the expense of intelligibility. On "We Gon Make It", his voice climbs in excitement, and the gusto, the control, and thunderous conviction of his performance recalls the promos cut by the greatest WWF wrestlers. At his best, Rick Ross isn't just a fantasy-fulfillment rapper, or a maximalist hitmaker: He's a performer, in the purest sense of that word. That voice of his, and the way he makes it leap and tremble with joy, can momentarily make you believe anything. His delivery is so convincing that the man who once air-lifted his mansion from Miami to Boca Raton sounds halfway-believable as a financial advisor: "I never met an artist who fully recouped/ These the deals the deal dealers wanna deal to you!" he raps through gritted teeth. There are not-so-veiled references to contract issues with his own artists: "That paper get funny when publishing's involved/ Mechanicals never matter, 'cause that was your dog." Rapping about music-industry arcana like "mechanicals" and publishing is not a surefire recipe for excitement, but Ross' sonorous voice still breeds drama. The song offers the welcome surprise of hearing Ross treat money as something that eats away at relationships and breeds distrust, instead of green rectangles he enjoys tossing out of helicopters. "Foreclosed on my past life," he bellows on the opening track "Foreclosures", an early highlight and the most compelling music he's made since his Rich Forever peak. A "grounded" Rick Ross would be unthinkable, but he has scaled back, mostly on the production, which leaves behind the booming, slow-moving productions of Lex Luger and his many imitators. And Black Dollar, Ross' first new project in a year, feels slightly recalibrated to reflect the new hard times. ![]() Times are tough for rap supervillains, it seems: even Rick Ross's nemesis 50 Cent is declaring bankruptcy.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |